「日展は何処に行くのか？」そんなシンポジウムが東京国立新美術館で行われた。
パネラーは、日本芸術院会員 日展理事 武腰敏昭先生、日展理事 春山文典先生、
総理大臣賞受賞された三田村有純先生、そして私。
林田英樹 元文化庁長官、奥田小由女 日展理事長などが隣席される中、未来の工芸が様々に語られた。
今、伝統工芸、現代工芸、海外の人々に説明ができる日本の工芸として、どのように発信していくのかが問われている。
“Where does Nitten Japan Fine Art goes?” such symposium was performed at Tokyo national new art museum.
A panel is a Japan Art Academy Member and Nitten director Takegoshi Toshiaki, Nitten director Haruyama Fuminori,
Mr. Mitamura Arisumi by whom the Prime Minister prize was just awarded and I.
While Hideki Hayashida former Agency for Cultural Affairs head and the Sayume Okuda Nitten chief director
were doing the next seat,
the future arts and crafts were told variously.
It’s asked and time about whether they’re traditional craft arts and contemporary crafts arts,
and then it means have to explain to overseas people about Japanese Kogei.
